Roman Shit List :: essays research papers

Romans were collectors and admirers of Greek nontextual matter. Art from Greece was brought to Rome, copied, and also changed by the Romans. As a result, Roman art is somewhat based on Greek art. However, Roman art is not merely a continuation of Greek art. For an amateur it is difficult to determine mingled with the two art forms because neither the Romans nor the Greeks wrote down the history of their own art. The characteristics pertaining to each particular type of art atomic number 18 known to some extent, so the experts are relatively accurate in determining the separation of the two types of art. Roman art is divided into four categories portrait sculptures, paintings and mosaics, relief sculptures, and statues. Each of these has its own characteristics. portraying sculptures, designed by the Romans, shows the desire of the Romans for literalness it records even the homeliest features. This is demonstrated in the sculpture, Head of A Roman, made of marble in 80 B.C. The a rtist painstakingly account each rise and fall and each bulge and fold of the entire facial surface. It was as if the artist was acting like a map maker, arduous not to miss the slightest detail. The end product was a blunt, bald record of features. Idealism nor improvement of features was done causing the feeling of superrealism. Paintings and mosaics were influenced by the computer architecture of the Romans . Their architecture consisted of buildings containing a small number of doors and windows, thus leaving considerably large stretches of argue space suitable for decoration. The quality was determined by the importance and the riches of the patron. The walls were used for two things in Roman art. First, they were used as a barrier. Secondly, they were used to visually open the wall and enhance the space of the room. Only authoritative colors were used. These were deep red, yellow, green, violet and black. Two methods were used to prepare walls for painting. In one, plaste r was compounded with marble dust, then laid directly on the wall in several layers. It was eventually beaten smooth with a trowel until it became dense. Finally, it was polished to a marble finish. The wall was then ready to be multicolored with water colors or encaustic paints. The other method, called panel painting, consisted of stucco being applied to boards of cypress, pine, lime, oak, and larch.