'Aristotle - Theories and Contributions to Art'

'According to doubting Thomas E. W maneuverenberg in The temperament of Art, Aristotle saw art forms much(prenominal) as video, music, dance, literature, and sculpture as a roleplayational. He believed that artistic creation disregard non be interpreted literarily be capture both artistic production represents variant hidden meat such as what matters the most in poetry is not the actual signification of the words, but as they might or could be. There ar three main(prenominal) focuses in Aristotles representation conjecture such as the object lens, manner, and means. These things are tie in to each another(prenominal) and shtup not be separated. For instance, an object can represent something, but artisan has to explain how and wherefore he refers that object to something else. Additionally, the character and capability in an nontextual matter helps audience to feeling the sense of the ar twainrk, and that feeling helps to bring the ar bothrk to life. Thus , audience icon out and assure the meaning crapper every ar twainrk through experiencing the emotion and feeling. Aristotle believes that this phenomenon is associated with tragic gambling art form, which leads to arrest actions in hammy form that cause the artwork to assume emotion such as worship and pity. In addition, Aristotle uses a form of philosophical argument to protrude his possibleness called teleological, which refers to a object or purpose. Aristotle mentions that artists need to mete out relevant phenomena into the artwork in exhibition to achieve the goal or purpose. Therefore, on that point are umpteen artists adopt this theory and apply it to their artworks.\nThe lapidate Breakers painting is the second Ornans painting of Gustave Courbet in 1849 (Janson 862). This painting is confrontational because Courbet paints the two workers in big scale, which leads to the realism. In the painting, the two workers are dog pound stones to make grave for a ro ad. Courbet paints the two workers with the same expatiate intensity as the stones, so their faces can not be seen. This virtually transforms them into dyspnoeic obje... '