Partition of Bengal, Diaspora and Rehabilitation : Quest for New World View in Literature & Culture of North-East India

The Shadow Lines by the narrator who not onlynarrates the events from a retro distance of about two decades but also tapsinto his mnemotechnic fund to recall momentous incidents germane to the originals plotdynamics from times longIn this essay I examine Amitav Ghoshs art and concerns in one of his finest sweets, The Shadow Lines (1988). I further search Ghoshs organisation of thediegetic elements, such as the novels world and situation, events and characters, aswell as the mode of telling and recounting the story, and public press how it is designed in conjunction with his central thematic preoccupation. As memory provides the floor trigger in this novel, I shine Ghoshs mnemonic enterprise as part of his narrative management. By using different narrative terms derived from Russian Formalism and Structuralist mediations, the novels construction is taken asunder to demonstrate Ghoshs innovative art.

Besides dealing with the novels narratological technique, this essay looks at Ghoshs interrogation of cartographic determinations against the background of Bengals vivisection into East Pakistan (now Bangladesh) and West Bengal and evaluates his espousal of laic tolerance and alternative cartography in a multi-cultural scenario. courageous: In Amitav Ghoshs The Shadow Lines, the narrator revisits his memories and oscillates amongst past and present, between secrets and revelations, so that the reader may feel that s/he is macrocosm taken on a dig. This paper leave interrupt the layers in the writing by looking at it from a narrative point of view to expose how memories calcul ate in strata, and how different voices are ! juxtaposed. It will also meditate other forms of textual stratification.If you want to get a adept essay, separate it on our website: OrderCustomPaper.com

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